Our flagship combo Mini CMD 121P has changed the bass amp market forever. Never have bassists been
able to get such great tone and volume from such a light and portable amp. This new version with Little
Mark IV Combo head features the new bi-band limiter, a MUTE switch and the 3-way switch that includes
the options of Flat, Scooped or FSW. As for previous version it can be easily upgraded to a powerful
2x12" 500W rig with the addition of a New York 121 cabinet.
> UNPARALLED POWER/WEIGHT RATIO
After years from its initial release in the 2005, this combo continues to lead the pack when it comes
to big sound from a small package. The sound that comes from this amp simply does not match what you
see when you look at such a small cube.
> UPDATED 4 BAND EQ, OLD SCHOOL FILTER, 3 WAY SWITCH
Our updated 4 band EQ section features very effective controls allowing you to easily find the sound
you want, boosting or cutting up to 16dB for each of the 4 bands to cover all the tonal nuances needed
in any genre of music. Additionally the Old School filter cuts your high frequencies and gives a round
and smooth tone. The 3 way rotary-switch allows you to choose between a super-balanced flat tone, a
scooped preset that drops the mids while boosting the lows and highs - giving a superb slap sound, or
lastly the 'FSW' option to control both mute and the Scooped EQ on demand by connecting an optional dual
footswitch.
> BI-BAND LIMITER
Our new bi-band limiter responds faster and more dynamically to your playing than traditional limiters
do and lets your high end "breathe" for a more natural sound. It makes our amp heads the best choice for
anyone who enjoys a quick, punchy attack at high volumes.
> POWERFUL STACK WITH NEW YORK 121 EXTENSION CABINET
If you add the New York 121 to the Mini CMD 121P combo, you’ll have a 500W 2x12” stack able to fill a
large venue with headroom to spare.
> TAKES UP VERY LITTLE ROOM ON STAGE
Even when stacked on a New York 121 cabinet (which has the same dimensions), this combo creates a
footprint on stage of only 15” x 14”. You'll never have a problem fitting this rig on even the
smallest of stages!
INPUTS
INPUT impedance: 1 Mohm, max. voltage: 9 Vpp
RETURN impedance: 22 Kohm, max. voltage: 10 Vpp
CONTROLS
GAIN –46 dB to +23 dB range
LINE OUT level control on front panel
PRE/POST EQ (for line out) switch on rear panel
GROUND LIFT switch on rear panel
MUTE SWITCH
MASTER VOLUME
EQUALIZATION
LOW: center frequency 68 Hz; level: ±16 dB
MID LOW: center frequency 360 Hz; level: ±16 dB
MID HIGH: center frequency 800 Hz; level: ±16 dB
HIGH: center frequency 10 kHz; level: ±16 dB
OLD SCHOOL: max cut range: 250 Hz – 20 kHz
3 WAY SWITCH: flat/scooped-mid/FSW
OUTPUTS
SEND EFFECTS: unbalanced, max. voltage 20 Vpp
TUNER OUT: unbalanced, max. voltage 2 Vpp
LINE OUT balanced XLR, max. voltage 20 Vpp
SPEAKER OUT: speakon/1/4” combo, 1/4”*
OTHERS
BI-BAND LIMITER
FOOTSWITCH (OPTIONAL): FLAT/SCOOPED-MID
OUTPUT POWER: 500W RMS @ 4 ohm, 300W RMS @ 8 ohm
POWER REQUIREMENT:
100V; 120V; 230V; 240V 50/60Hz (Voltage is factory preset according to region of sale)
SPEAKER: 1x12"
TWEETER: piezo
BASS REFLEX: rear
IMPEDANCE: 8 ohms
SPEAKER POWER HANDLING: 400W RMS (AES Standard)
FREQUENCY RESPONSE: 45 Hz to 18 kHz
CROSSOVER FREQUENCY: 3.5 kHz
SENSITIVITY: 99 dB SPL
WEIGHT: 11.7 Kg
WIDTH: 38 cm
HEIGHT: 42.5 cm
DEPTH: 36 cm
